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Lecture

2024 Faculty Biennial Forum Lecture

Shoreham Yards Florilegium: A Cross-Disciplinary Exhibition, Reading, & Artist Talk
Lecture:
Friday, November 1
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12:15-12:50 p.m.

Leslie Grant, Media Arts; Janet Lobberecht, Foundation Studies; Gudrun Lock, Foundation Studies; Kathryn Savage, Liberal Arts; Elisabet h Workman, Liberal Arts

“Florilegium” comes from the Latin flor (flower) + legere (gather), cousin to the Greek anthology—anthos (flower) + logia (a collection). Before the florilegium as a form came to be a botanical compendium (circa 1590), it was a sacred reading practice bringing together distinct writings to explore resonances between the ostensibly disparate.

2024 Faculty Biennial Forum Lecture: Dr. Gretchen Gasterland-Gustafsson

Lecture:
Tuesday, September 24
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12:15-12:50 p.m.

Three Diverse Twin Cities Non-profit Art Spaces: Out on a Limb Dance Theater Company & School, Second Shift Studio Space, and Soo Visual Art Center

Dr. Gretchen Gasterland-Gustafsson will treat three local arts organizations and the vital role each plays in our local arts community. All three organizations have survived what we hope will have been the worst years of the pandemic and are making their way forward in our challenging funding landscape and with evolving channels for press and communica tion.

Faculty Biennial Forum Lecture: Jessica Dandona

Lecture:
Tuesday, October 22
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12:15-12:50 p.m.

In the words of American historian Michael Sappol, over the course of the 19th century the ‘anatomical body became our body’, as the language of anatomical science came to define a shared understanding of human corporality. As these images and forms of knowledge disseminated a new understanding of the body, the formal medical curriculum still in use today was in the process of being standardised across Britain and the United States, paralleling efforts to systematise the teaching of art and design.

2024 Faculty Biennial Forum Lecture: Gerald Ronning

Who Built the Clouds?: Prince's Guitars and Questions of Authorship
Lecture:
Thursday, September 26
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12:15-12:50 p.m.

Gerald Ronning presented his paper “Who Built the Clouds?: Prince's Guitars and Questions of Authorship” at the 2024 Annual CCA meeting. The paper considers the ways that authorship has been constructed in the case of Prince's custom-made Cloud guitars. Ronning argues in the case of these guitars history has been erased in the process of mythologizing the artist and in the subsequent transformation of artifacts into relics.

2024 Faculty Biennial Forum Lecture: Dr. Anna Chisholm

Sabbatical Talk: When Feeling Becomes Knowledge: Fred Wilson’s ‘Un-Natural’ Histories
Lecture:
Tuesday, October 15
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12:15-12:50 p.m.

Dr. Anna Chisholm, Professor, Liberal Arts Department

Given the recent calls for museums and universities to decolonize their collections and curricula, and the contentious debate amongst scholars about precisely what decolonization entails, my book, When Feeling Becomes Knowledge: Fred Wilson’s ‘Un-Natural’ Histories, looks to the practice of renowned Black installation artist Fred Wilson, whose museum interventions, I argue, offer a powerful model for decolonial practice and historical knowledge.

Visiting Artist Series: Angela Morelli

Lecture:
Thursday, October 28

1:00-2:00 p.m.

Angela Morelli is an award-winning information designer based in Norway. She is the co-founder and CEO of InfoDesignLab. After a degree in Engineering from Politecnico di Milano and an MA in Industrial Design, she gained her MA in Information Design from Central St Martins in London and a Postgraduate Certificate for teaching in Higher Education.

Visiting Artist Series: Andrea Carlson

Lecture:
Tuesday, October 5

1:00-2:00 p.m.

Andrea Carlson (Ojibwe) is a visual artist originally from Minnesota currently living in Chicago, Illinois. Through painting and drawing, Carlson cites entangled cultural narratives and institutional authority relating to objects based on the merit of possession and display. Current research activities include Indigenous Futurism and assimilation metaphors in film. Site-specific, public installations of Carlson's work have focused on the importance of the land to Indigenous communities.

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